“上海”这个词对陈丹燕来说涵义太丰富,它已不仅仅是一座城市、一个地名。陈丹燕的大部分小说、散文,是以上海为背景、上海为故事的。陈丹燕本是搞儿童文学的,直到90年代才开始成人文学的创作。按照她自己的话来说,不在年轻的时候临摹成熟,也不在成熟之时假装年轻。从一系列的作品看,《女中学生三部曲》、《独生子女宣言》及近年来的《上海的风花雪月》、《上海的金枝玉叶》的老上海怀旧都印证了作家自己的观点。 “Shanghai ” the term is too rich for Chen Danyan, it has more than just a city, a place name. Most of Chen Danyan’s novels and essays are based on Shanghai and Shanghai as stories. Chen Danyan was engaged in children’s literature, until the 90’s began the creation of adult literature. According to her own words, not mature at a young age, nor pretend to be young at maturity. From a series of works, the writers ’own view is confirmed by the “Shanghai Girls’ Trilogy”, “One Child Declaration” and the recent “Shanghai romantic” and “Old Shanghai nostalgia of Shanghai’s Golden Jade Leaf”.