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南宋姜夔词之用韵,如按戈戟《词林正韵》十九韵部的划分,有九首存在‘出韵’现象,另有一首个别韵脚字前人持有异议,其或与(?)入方音有关,或属前鼻音、后鼻音与闭口音混用,或属不同入声韵部混用。这种情况的出现,一是与现实语音的变化有较密切的关系,二是与诗严词宽(似有文、白之分)的创作观念有关,三是与词的歌唱功能、当筵命笔的情形相关。《词林正韵》之韵部分类,虽厥功甚伟,但仍有某种缺陷,不能完全以之作为研究宋词用韵的‘定则’。
The use of rhyme in the Southern Song Dynasty Jiang Kui words, as according to Ge Xianji “Ci Lin is rhyme,” the Department of nineteen rhyme division, there are nine there is a “rhyme” phenomenon, while another individual rhyme before the word holds, or with (? ) Into the square tone, or the former nasal, nasal and closed accent mix, or belong to different mix into the rhyme. The emergence of this kind of situation is related to the change of the actual voice. The second is related to the creative concept of the poem’s width (like writing and writing). The third is related to the singing function of the word. Related to the situation. There are still some shortcomings in the rhyming category of “Linlin Zhengyun”, which can not be completely used as a ’rule’ to study the rhyming of the Songs.