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一笔墨是中国画(“中国画”一词,在本文中与“水墨画”一词相当)的基本语言。在中国画趋向多元的当下仍然如此。任何绘画都要求造型、构图、色彩,唯独中国画还要求笔墨;去掉了笔墨,中国画就难以和其他绘画相区别了。笔墨语言是中国人的一种审美方式,又是中国绘画技巧操作的问题。我在《笔墨论稿》一文中曾具体谈到,毛笔、水墨依照一定程式在纸、绢、壁上作画时产生的点、线、面、团、叠加、渗透、摩擦、转折,
An ink is the basic language of Chinese painting (the term “Chinese painting”, equivalent to “ink painting” in this article). The current trend in Chinese painting is still the same for the moment. Any painting requires modeling, composition, color, but Chinese painting also requires ink; remove the ink, Chinese painting is difficult to distinguish with other paintings. The language of pen and ink is a kind of aesthetic way of Chinese people, and it is also the problem of manipulation of Chinese painting skills. I said in the article entitled “The Theory of Writing and Writing” that the brush, the ink, the dots, the lines, the faces, the circles, the superimposition, the infiltration, the friction, the turning point,