何应辉先生作为上世纪80年代崛起于书坛的“川军”代表性人物,他的书法作品所传释出的既恪守传统又觊觎现代的书法理念与实践,至少,在笔者的批评视野中,他还没能成就为一名当代出类拔萃的书法家。当我们以多维的视角来诠释何应辉先生书法作品时,可能,当代书法秩序中的任何一点优劣元素都要受到牵连与触动:他的 Mr. He Yinghui was the representative figure of the Chuanjun who emerged from the book circle in the 1980s. His calligraphy works conveyed both the traditional and modern calligraphy concepts and practices. At least, in the author’s critical vision, he It has not yet become a contemporary calligrapher who excels. When we interpret Mr. He Yinghui’s calligraphy works from a multidimensional perspective, it is possible that any point in the contemporary calligraphic order will be implicated and touched: His.