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2015年年末,有机会在广州观看了第十届“大戏节”和第三届“青年非职业”的小剧场戏剧演出,6天18台戏,10台来自高校剧社,8台来自青年非职业剧团,眼花缭乱、目不暇接。笔者在体制内工作了十几年,“精品”“大制作”“经典”的舞台作品看多了,沉浸在这个常被主流话语忽略却生猛活泼的平行世界里,不同面貌,不同色彩,不同风格的戏剧,创作上的奇思和戏剧人的执念,令人感觉既清新又脑洞大开。
At the end of 2015, there was a chance to watch a small theater show featuring the 10th Grand Theater and the Third Youth Amateur in Guangzhou, 18 sets of 6 days, 10 sets of colleges and universities, 8 Taiwan from non-professional youth troupes, dazzling, dizzying. I work in the system for more than a decade, “fine ” “big ” “classic ” stage works to see more, immersed in this often overlooked by the mainstream discourse but lively and vivid parallel world, different Faces, different colors, different styles of drama, the creation of the curiosity and drama of people’s obsession, it feels both fresh and open-minded.