至1927年,中国新文学已有了十年的历史,鲁迅、胡适、周作人、郭沫若、茅盾、郁达夫、冰心、徐志摩等一批作家已经卓有成就,其作品亦对中国新文坛产生了不小的影响。而老舍、巴金、沈从文、曹禺、戴望舒、卞之琳等新一代作家也开始在文坛上崭露头角,显示出自己的创作特色。第二个十年期间,文学创作在各个方面都有进展,左翼文学与民主主义、自由主义文学相互交织.构成了这一时期文学创作的主流,茅盾的《子夜》、巴金的《家》、沈从文的《边城》均在这个时代背景下创作、发表。创作上的繁荣必然导致文学批评的兴盛,在1927—1936年,文学 By 1927, the Chinese new literature had a history of ten years. A number of writers such as Lu Xun, Hu Shi, Zhou Zuoren, Guo Moruo, Mao Dun, Yu Dafu, Bing Xin and Xu Zhimo have made great achievements and their works have also produced new literary circles in China Not a small impact. The new generation of writers such as Lao She, Ba Jin, Shen Congwen, Cao Yu, Dai Wang Shu, Bian Zhilin also began to emerge in the literary arena, showing their own creative features. During the second decade, literary creation progresses in all aspects, and the left-wing literature and the democratic and liberal literature are intertwined, forming the mainstream of literary creation in this period. Mao Dun’s Midnight, Shen Congwen’s “Border Town” are created and published under the background of this era. Literary prosperity will inevitably lead to the rise of literary criticism in 1927-1936, literature