看了滕文骥的《海滩》,又看了他相当简单的导演阐述,不由使我想起了姜昆的一段相声:《朦胧诗》。它讽剌个别不学无术的青年,为冒充自己有文采,竟“创造”出无意境、无思想的“朦胧诗”来。当然,我并非说滕文骥不学无术,但他的“朦胧”确也使人难以理解。看了《海滩》,为什么大多数观众不知所云,更不用说从中得到启示呢?影片虽冠以文明冲击愚昧的主题,塑造了代表文明的许彦,代表愚昧的老鳗鲡,代表愚昧叛逆者的陆小妹,及许多 Teng Wenji read the “beach” and read his very simple director elaborate, could not help but remind me of a comic Jiang Kun: “misty poems.” It satirizes individual youth who are ignorant and ignorant, to “create” a “misty poem” that has no mood and no thought in order to impersonate itself. Of course, I am not saying that Teng Wenji does not learn anything but his “hazyness” indeed makes it hard to understand. Watched the “beach”, why most of the audience unintelligible, not to mention the revelation from it? Although the film crowning the theme of the impact of ignorance of civilization, shaping the representative of civilized Xu Yan, on behalf of the ignorance of the old eel, on behalf of ignorant rebels Lu Xiaomei, and many more