黄宾虹老人有“守常达变”之论,他在《中国山水画今昔之变迁》一文中说:“屡变者体貌,不变者精神。精神所到,气韵以生,本于规矩准绝之中,超乎形状迹像之外。”宾老所言虽指中国传统绘画,但对任何艺术,都有普遍意义。近日和国璋品画谈艺,颇有心得兹记于下。 文国璋,20世纪60年代中期毕业于中央美术学院油画系,20世纪70年代末,又重返母校版画系研究生班继 Huang Bin-hong, an old man who has a “regular change” theory, said in his article entitled “The Changes of Past and Present in Chinese Landscape Painting”: “The spirit of the ever-changing people is the same as the spirit of the permanent one , Beyond the sign of the shape. ”Although the old guest phrase refers to Chinese traditional painting, it has universal significance for any art. Recently, Guo Zhang and Zhang talk about art, rather mindset hereby note in the next. Wen Guozhang graduated from the Oil Painting Department of the Central Academy of Fine Arts in the mid-1960s. He returned to graduate school of Graphic Arts in his mother’s school in the late 1970s