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由网络文化事件引发的“寂寞”话语实质上是当前社会私人化所造成的“大众孤独”现象。当下“大众孤独”现象的出现,正是当代中国美学忽略自身根基意识而停滞于市民美学倡导的必然结果。当代中国美学历程,呈现出从人民美学到市民美学的历史主体意识变迁。重审这一根基衍变,反思当前文化症候,走向公民美学应是中国美学研究进路的新方向。公民美学是对人民美学与市民美学的否定之否定,它要学习在张力中保持个体意义和共同体意义的和谐共生。美国学者阿克曼和罗蒂的宪政与哲学思想为构建公民美学提供了一种新人形象的有益启示。
The “lonely” discourse triggered by cyberculture events is essentially the phenomenon of “mass loneliness” caused by the current social privatization. The emergence of the phenomenon of “public solitude” at the moment is precisely the inevitable result of contemporary Chinese aesthetics ignoring its own basic knowledge and staying in the advocacy of public aesthetics. Contemporary Chinese aesthetics history, showing a change from the people’s aesthetics to civic aesthetics historical subject consciousness. It is a new direction for Chinese aesthetics research to reexamine this fundamental change, reflect on current cultural symptoms and move toward civic aesthetics. Civic aesthetics is the negation of the people aesthetics and civic aesthetics. It is necessary to learn the harmonious symbiosis of maintaining individual meaning and community meaning in tension. The American scholar Ackerman and Rorty’s constitutionalism and philosophical thought provide a helpful enlightenment for building a citizen’s aesthetics.