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在豫剧传统戏演出实践中,男声唱腔分好几道腔,即“大本腔”、“二本腔”和“老包腔”。我们这里探讨的二本腔是经过豫剧历代艺人数百年创造打磨而形成的一种声腔艺术。它是运用人的声带弛振机能进行歌唱,无论是在呼吸发声、共鸣调节方面,还是在行腔吐字情感表达方面,均形成了一套完整的方法。然而近年来随着戏曲危机的加深,人们对“二本腔”这种传统的民族唱法产生了怀疑,因此,我们有必要对这种唱法的科学性进行—些探讨。
In the practice of traditional opera performances in the opera, the male voice is divided into several cavities, namely, “Big Ben”, “Two Benches” and “Old One”. The two cavities we are discussing here are a kind of acoustical cavity art created by hundreds of years of entertainers in Henan Opera. It is the use of human vocal relaxation mechanism to sing, whether in the breath sounds, adjust the resonance, or emotion expression in the mouth cavity, have formed a complete set of methods. However, with the deepening of the drama crisis in recent years, people are suspicious of the traditional national singing style of “Two Beauties”. Therefore, it is necessary for us to conduct some discussions on the scientific nature of this singing style.