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張懷瓘《書斷》所確立的“神妙能”三品對中國書法批評中等第法具有重要理論意義。張懷瓘的“神妙能”三品,在構成原理和分品方法上與前代庾肩吾《書品》的九品截然不同。庾肩吾九品是自下而上地分品:採用“綴文”之法,先分小例,再連綴成大等;而張懷瓘三品是自上而下、以簡馭繁的系統,具有統貫的原則。“神妙能”三品以《周易》》》的三才之道爲理論基礎,以基於“生生”思想的創造原則爲中心。“神妙能”三品具有簡單性、完備性、嚴格性,解決了書法批評等第法中前人所沒有解決的“分體立品”問題。
Zhang Huai 瓘 “book broken” established by the “magic” San Miao on Chinese calligraphy criticism has the important theoretical significance. Zhang Huai-kai’s “magic to” Mishina, in the composition of the principle and method of sub-goods with the previous generation Shoulin Wu “Book” nine products completely different.庾 Shouwu nine products from bottom to top sub-product: the use of “suffix” method, the first sub-sub-example, and then even into a large and so on; and Zhang Huai Mishina Sanpin is top-down to simplify the system , With the principle of unity. “Miaosi can ” Mishina to “the Book of Changes” as the theoretical basis, based on the “life and death ” idea of creation as the center. “Miaoshi can ” Mishina simplicity, completeness, strictness, to solve the calligraphy criticism and other methods in the predecessors did not solve “split product ” issue.