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贾樟柯电影通过“个人化”的视角将大时代变迁中最具特色的城市空间展现出来,在时间的维度上,以各种符号化的元素建置起“一代人”的空间记忆。而纪实的手法则进一步将这一特定时空下人们的人生故事、生活和情感做了真实的还原,很克制的表达了对时代变迁背景下中国底层小人物命运的关注。进而从经济和社会两方面还原了时代的记忆,并深刻的反映出中国现代化进程中城市边缘人的生存困惑和精神危机。
Through the perspective of “personalization ”, Jia Zhangke demonstrated the most distinctive urban space in the vicissitudes of the great era. From the dimension of time, he established the spatial memory of “generation” with various symbolic elements . The documentary approach further realistically restored people’s life stories, life and emotions in this particular time and space, and expressed restraint in expressing concern about the fate of the Chinese small-minded people under the background of the changing times. And then restored the memory of the times from both economic and social aspects and profoundly reflected the perplexity and spiritual crisis of the people on the edge of the cities in the process of China’s modernization.