反艺术(anti-art)是整个20世纪艺术领域中麻烦最大、问题最多,并且最少被人理解的一个概念。之所以出现这样的情况完全是有原因的:杜尚及其他志趣相投的艺术家们,如达达主义者和观念艺术家,所从事的活动就是蓄意制造麻烦和问题,其中最极端的行为就是颠覆和破坏传统习俗、价值观念和习惯做法这些艺术赖以存在的基础。由于这种强烈而持续蔓延的虚无主义倾向,反艺术不仅是向艺术理论家而且也向哲学家提出了许多重大问题。反艺术尤其迫使我们对我们的艺术概念,以及对实际上是迎合该艺术概念的那些事物进行反思,因为不是任何事物都能够算作是,或者应该被看成是艺术的。 Anti-art is one of the most troublesome, problematic, and least understood concepts throughout the 20th century in the art arena. The reason for such a situation is entirely attributed to the fact that Duchamp and other like-minded artists, such as Dadaists and concept artists, are engaged in deliberate activities to create problems and problems. The most extreme of these actions are subversion and Destroy the traditional customs, values ​​and practices of these arts rely on the existence of the foundation. Because of this intense and persistent nihilist tendencies, anti-art poses many major problems not only to theorists but also to philosophers. Inverse art in particular compels us to reflect on our artistic concepts and on those things that actually cater to the concept of the art, because not everything can be counted as, or should be considered as art.