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过去十年来,在社会主义现代化建设和改革开放的大潮中,伴随着社会政治哲学文艺思潮的起伏,我国文艺理论界的思想十分活跃,新说竞起,文艺观念不断递嬗流变,对许多理论问题进行了热烈的讨论。其中重要的论争有:关于马克思主义文艺理论体系,文艺的上层建筑性质,文艺与政治关系,人性与人道主义,艺术掌握方式,文艺批评、现实主义、浪漫主义和现代主义,文艺学方法论,主体论,本体论,反映论,文艺的意识形态性质,社会主义文艺产品的商品性,以及“重写文学史”等等。在这里,只就其中几次重要论争,对若干文艺观念的流变和碰撞作一简述,并谈谈个人的一些粗浅认识。
In the tide of socialist modernization and reform and opening up, with the ups and downs in the ideological and artistic trends of social and political philosophy in the past decade, the thinking of Chinese literary and art circles has been very active. Theoretical issues have been heated discussion. Among the important arguments are: On the theoretical system of Marxist theory of literature and art, the nature of the superstructure of literature and art, the relationship between literature and art and politics, human nature and humanitarianism, the way of art mastery, literary criticism, realism, romanticism and modernism, methodology of literature and art, subject Theory, ontology, reflection theory, the ideological nature of literature and art, the commercial nature of socialist literature and art products, and “rewriting the history of literature.” Here, we will briefly outline the rheological changes and the clashes of some literary and artistic ideas and talk about some superficial understandings of individuals on just a few of the major debates.