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从宏观上讲,蒙古民间文艺学自然是一个整体系统。它应是包含在系统的综合性学科—蒙古学下的一个子系统。但鉴于蒙古民族历史发展的特殊性与现实存在的政治的、社会的、地理的诸多因素;并从微观的深化出发,提出西蒙古—卫拉特民间文艺学的论题,是有其历史的、现实的依据。为此,本文有必要首先重温有关背景材料。 背景 1.1,众所周知,一代天骄成吉思汗及其子孙,不仅在历史上为中华民族的发展作出过杰出贡献,而且也以他显赫一时的武功而成为名扬全球的人物。 1.2,从大蒙古国诞生(1206)的次年始,被《蒙古秘史》称为“林木中百姓”之一的西蒙古祖先—斡亦剌惕部即与黄金家族建立了世袭姻亲关系,继而成为蒙古大家族的有机体之一和成吉思汗事业的一支基本力量。到元代,又自然成为元朝政治舞台上一支活跃力量。
From a macro perspective, Mongolian folklore is naturally a holistic system. It should be a subsystem included in the system’s comprehensive discipline, Mongolian. However, given the particularity of Mongolian national history and the political, social and geographical factors that exist in reality, and proceeding from the microcosmic deepening, it is a matter of history and reality that Mongolian-Velarite folklore is put forward. in accordance with. Therefore, this article is necessary to review the background material first. Background 1.1 As we all know, a generation of Tianjiao Genghis Khan and his descendants have not only made outstanding contributions to the development of the Chinese nation in history, but also have become famous figures in the world with his outstanding martial arts. 1.2. The ancient ancestors of the ancestors of the ancestors of Mongolia, described by the “Secret History of Mongolia” as one of the “people in the woods,” from the second year after the birth of Great Mongolia (1206), established the hereditary relationship of kinship with the golden clan and subsequently became One of the fundamental forces of the cause of Genghis Khan, one of the majorities of the Mongolian family. To the Yuan Dynasty, but also naturally become an active force in the political stage of the Yuan Dynasty.