毕生献身于艺术的毕加索,并非单纯地由一种风格逐渐向另一种风格演变,而是保持基调一致。正当他描绘潜意识的怪诞幽灵时,毕加索则会笔锋一转,创作出一幅现实主义的作品,而且就其优美与情感方面而言则是安格尔和拉斐尔都无法与之比拟的。自从毕加索首次感受到马戏团的魅力起,那些演员以及他们默默无语的传统表演手法便侵入了他的作品之中。毕加索尤其是以丑角为题作画,或许是作为毕加索本人的化身吧,借以表达艺术家的思想。 Instead of simply evolving from one style to another, Picasso devoted his life to art, but to maintain a consistent tone. As he portrays subconscious ghosts, Pablo Picasso writes a realistic painting that neither Angel nor Raphael can match in terms of beauty and emotion. Since Picasso first felt the charm of the circus, those actors and their silent traditional performances have invaded his work. Picasso, especially in the harlequin as a painting, perhaps as Picasso’s incarnation it, in order to express the artist’s thoughts.