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最近,在广州粤剧团新创作推出的大型粤剧《花月影》中,我饰演红船班主薛老三。 在剧中对红船班主薛老三这个人物的创作中,我获得了创作这个人物的全新感受。我更多的是借鉴话剧和影视演员创造角色的方法,对人物进行分析、理解和理顺人物的行动线,确立人物的基本定位,并在排练中结合粤剧的传统程式,完成对人物形象的塑造。 如果说戏曲演员创造人物通常走的是一条通过形式找到内容的表现方式的话,而我则尝试着走了从内容到形式的新路。
Recently, in the large-scale Cantonese Opera “Flower Moon Shadow” launched by the newly created Cantonese Opera Troupe, I acted as the third-class teacher of the Red Ship. In the play on the red ship owner Xue Lao San this character creation, I won the creation of this character a new experience. I learn more from the drama and film and television actors to create the role of the method to analyze the characters to understand and rationalize the line of action figures to establish the basic positioning of the characters and rehearsal in conjunction with the traditional Cantonese opera program to complete the character image shape. If the actors in the opera usually take the form of finding expressions of content, I try to take a new path from content to form.