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凡作山水画者需要有三:一对自然山水之钟爱,二对传统笔墨之认同,三乃读书有文心者,方能为之,三者缺一不可。对自然山水少真爱者,虚构妄造,所涂之作假意虚情味如嚼蜡;对传统笔墨少研习者,横涂竖抹,所作山水粗鄙低劣难入殿堂;而弃读书少文心者,浅薄低俗,其山水画媚世随流难有气象。我观欧阳波山水画,奇思妙构,情景交汇;勾斫踢让,落笔有神;意趣相生,文出画外。此皆其于真山水处多有写生,真情跃然纸上,且平日书法操练、笔墨经营不辍,更案头读书、
There are three things that a landscape painter needs: a love of natural landscapes, a recognition of traditional ink and brush, and a three-pronged reading of literary heart, for which the three are indispensable. For those who love nature less and less, fictitious make, the false impression of the deceitful taste like a chewing wax; less for the traditional pen and ink practitioners, transverse vertical wiping, the vulgarity of the poor poor into the hall; , Shallow and vulgar, the landscape of merceous with the flow of weather is difficult. I view the Ouyang Bo landscape painting, wonderful composition, the scene of the intersection; Gouqi kick, let go of God; interest and life, out of painting. This is all in the true landscape and more sketches, the truth vividly paper, and weekday calligraphy practice, pen and ink business stop, more desk reading,