在现代性“压缩时间”的诉求下,文学接受方式由“阅读”转变为“观看”。本文以刘震云《温故一九四二》的影视改编为个案,着力探查小说“阅读”与影视“观看”给人呈现的不同景观,以认清当代文学生存的接受氛围。并以此为起点,概观当下文学阅读与文学写作的深层文化结构——“现代性悖论”。最后,期冀以对古典阅读方式与写作方式的温故来重建艺术持存的仪式,变革当下的文学生存现状。 Under the demand of modernity “Compression time”, the way of literature acceptance changed from “reading” to “watching”. In this paper, the adaptation of Liu Zhenyun’s “Wenxu 1942” film and TV series is taken as a case to explore the different landscapes presented by the novel “Reading ” and film “watching ” so as to recognize the reception atmosphere of contemporary literary existence. And as a starting point, an overview of the current deep reading of literature and literature and cultural structure - “paradox of modernity ”. Finally, it hopes to rebuild the art preserving ritual with the help of the classical way of reading and writing, and to change the current literary existence.