台湾作家三毛,其人生经历和文学创作中不断“找寻”的文化现象,与其少女时代“丢失”自我的惨痛经历密切相关。《撒哈拉的故事》是一部关于青春、流浪、爱情与异域写作的自我陌生化传奇;通过这种文学写作她建构了三毛式文体。然在现实中,只有在自然和文明的边缘地带三毛才会展现出独特的文学生命力。 The cultural phenomenon of Taiwan writer San Mao, whose life experience and literary creation is constantly “seeking” is closely related to his bitter experience of “lost” self during his teenage days. “The Story of Sahara” is a self-defiling legend about youth, wandering, love and exotic writing. Through this literary writing, she constructs the San Mao style. However, in reality, only in the marginal zone of nature and civilization can San Mao show unique literary vitality.