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关于中国戏曲之当代命运,业经多年聚讼,兴耶?亡耶?至今仍众说纷纭,唯危机二字论者共识耳。然危机所自何来则依旧各执一词,莫衷一是。窃以为戏曲之危机非仅戏曲自身之危机,实乃中国固有文化危机,之一端也。传统文化如皮,戏曲乃依附其上的毛。皮之不存,毛将焉附?孔尚任于《桃花扇》小引尝云:传奇虽小道,凡诗、赋、词、曲、四六、小说家,无体不备。至于摹写须眉,点染景物,乃兼画苑矣。其旨趣实本于《三百篇》,而义则《春秋》,用笔行文又左国
As for the contemporary destiny of Chinese opera, after many years of court proceedings, there is still a lot of controversy among different people. However, when the crisis came from, the two still held the same statement. Steal the crisis of drama Not only the crisis of the drama itself, but also China’s inherent cultural crisis, one end also. Traditional culture such as skin, opera is attached to its hair. The skin does not exist, the hair will be attached? Kong Shang Ren in the “Peach Blossom Fan” small lead to the cloud: the legend though a trail, where poetry, Fu, Ci, music, novelist, incurable. As for the copywriter, dotted with scenery, but also painted palace carry on. Its purpose is actually “three hundred articles”, while the meaning of “Spring and Autumn Period”, with the pen and the text left country