论文部分内容阅读
二 努力与贡献 过去,在漫长的历史过程中,戏曲艺术变化发展的主要特征是自发衍变,即自生自灭、自兴自衰。建国后,在“百花齐放、推陈出新”方针的指引下,人民政府十分重视人民的戏曲艺术,对各种戏曲艺术的挖掘、整理、革新和发展,采取了一系列有力的措施,特别是培养、派遣一大批新音乐工作者参加戏曲事业建设,使戏曲艺术(特别是戏曲音乐)从此由自发衍变走向了自觉发展的新阶段。时白林先生说:“安徽的戏曲音乐,无论就其概貌或艺术特色论,五十年代后较前大为改观”,其原因主要在此。下面简要介绍一下五十年代以来安徽戏曲音乐工作者对保存、发展安徽稀有地方剧种音乐所作的一些努力与贡献:
In the long course of history, the main feature of the development of drama art is its spontaneous evolution, that is, spontaneous self-extinction and self-esteem. After the founding of the People’s Republic of China, under the guidance of the guideline of “letting a hundred flowers bloom and make new innovations”, the people’s government attaches great importance to the opera art of the people and took a series of effective measures to excavate, organize, reform and develop various kinds of opera art, especially cultivating and dispatching A large number of new musicians participated in the construction of the drama business, which enabled the drama art (especially opera music) to move from spontaneous evolution to a new stage of conscious development. When Mr. Bai Lin said: “Anhui opera music, both in terms of its general features or artistic features, greatly improved after the fifties,” mainly because of this. Here is a brief introduction of the Anhui opera music artists since the 1950s to save and develop some of the rare local opera music made some efforts and contributions: