在中国画多元发展的当代,立足传统、在传统基础上的创新仍是中国画前行的动力与出路。在追溯中国画传统中两大精髓——院体造型及文人笔墨的前提下,提出将院体造型与文人笔墨相结合,这既是绘画本体发展的内在要求,是艺术家实现人文关怀的需要,也是时代对中国画创作的呼唤。 In the contemporary era of diversified development of Chinese painting, based on tradition, innovation on the basis of tradition is still the driving force and outlet for the development of Chinese painting. On the premise of tracing the two quintessence of traditional Chinese painting, body modeling and literati writing, it is proposed to combine the modeling of the courtyard with that of the literati. This is not only the intrinsic requirement of the development of the painting ontology, but also the need of the artist for humane care and also the era Call to Chinese painting creation.