在刚刚过去的十八年里,尤其是在20世纪90年代,许多艺术家几乎不约而同地使自己的作品充满了色彩明快、纯度艳丽的色调,大有一扫80年代新潮美术运动时期色彩沉郁、对比强烈之势。这些为数庞大、众多的作品,与同样为数不少的黑白灰冷色调的艺术作品,共同构成了最近十几年来中国当代艺术的两个重要视觉景观。这些色彩响亮的作品在题材上集中在毛泽东时代的美术作品图像与当代社会的商品符号的结合上,还有的集中在传统文化符号与当下商品符号的对接上。 In the past eighteen years, and especially in the 1990s, many artists almost invariably made their works full of bright colors and bright colors, which greatly aroused the gloomy and intense contrast of the 1980s trendy fine arts movement The trend. These large and numerous works, together with a similarly large number of shades of gray and white, form the two most important visual landscapes of Chinese contemporary art in the past decade or so. These colorful works focus on the combination of images of the artwork of Mao Zedong era with the commodity symbols of the contemporary society while others focus on the connection between the traditional cultural symbols and the current commodity symbols.