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在思维观念的运用上,艺术作品的创作不同于数理公式的推导,前者需带有审美意识形态和感性思维的构成,而后者不容于感性思维的参与,必须是在既定的公式和轨迹中进行。但与此同时,我们不能忽视艺术作品的创作所需要的创作目的、创作原则以及创作方法的共同参与,这就涉及到艺术作品创作过程中的感性思维与理性思维二者的关系问题。剧目如同设计房子,没有定论,没有局限,可以千变万化,但在技巧和经验上都有要求。在剧目创作中要保持用理性的文字去描写感性的心,来学习和认知剧目创作。
In the application of thinking concept, the creation of artistic works is different from the derivation of mathematical formulas. The former needs the composition of aesthetic ideology and perceptual thinking, while the latter can not be involved in perceptual thinking. It must be carried out in established formulas and trajectories . However, at the same time, we can not neglect the purpose of creation, the principle of creation and the method of creation that are necessary for the creation of artistic works. This involves the relationship between the emotional and rational thinking in the creation of artistic works. Repertoire as the design of the house, there is no conclusion, there is no limit, can be ever-changing, but the skills and experience are required. In the creative writing to maintain rational words to describe the emotional heart, to learn and recognize the repertoire creation.