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2013年7月17日,上海音乐学院研究生部组织作曲方向以及音乐理论方向的硕博士研究生,远赴西藏山南地区,与西藏大学、西藏歌舞剧团等单位合作,进行了一次田野调查,笔者在此次田野调查中,关注到藏民对待“阿吉拉姆”依然保有较浓厚的兴趣,同时藏民文化语境中的“阿吉拉姆”与汉语文化中的“藏戏”有一定的区别,笔者据此展开了一些访谈,并与相关材料进行对比。
On July 17, 2013, the graduate student department of the Shanghai Conservatory of Music organized a master doctoral candidate in the direction of composition and music theory to go to the southern Shannan region of Tibet for a field investigation in cooperation with Tibet University, Tibetan Song and Dance Troupe and other units. During the fieldwork, the Tibetans concerned about the treatment of the Tibetan people. “Aguilar” still retains a relatively strong interest. At the same time, “Aguilar” in the cultural context of Tibetan people and “Tibetan opera” There are some differences, the author started some interviews, and compared with the relevant materials.