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倪瓒作为“元四家”之一,在山水画中的构图样式、技法风格、抒情表达,自成独特一派,其画作中的远山形象已经成为“平远”画法的典型表达方式。倪瓒在自己的山水画作品中丰富了“平远”画法的内涵。他通过自身对远山的描绘,以丰富的人生阅历,精湛的绘画技法,清高飘逸的精神境界,对“平远”进行了丰富详尽的阐释。剖析研究倪瓒山水作品中对“平远”技法的阐释,是我们深入了解中国古代山水画艺术内涵的关键。
As one of the “Yuan Si Family”, Ni Zan is one of the unique style of composition, technique style, lyric expression in landscape painting. His distant mountain image in his paintings has become typical of “Ping Yuan” painting way of expression. Ni 瓒 in his works of landscape painting enriched “Ping Yuan ” painting method of connotation. Through his depiction of the distant mountains, he enriched the experience of life, superb painting techniques, and the spiritual realm of clear and elegant landscape. Anatomy of the research on the techniques of “Ping Yuan” in Ni Zan’s landscape works is the key to our deep understanding of the art connotation of ancient Chinese landscape paintings.