论文部分内容阅读
文章意在从学术史的角度,梳理了目前大陆学界侯孝贤电影研究中比较流行的几种范式,力图阐明这些学术思维框架背后所涉及的身份和地缘政治,以及它们所折射的在不同历史时期知识界文化心态的变迁。
The article intends to sort out some popular paradigms in Hou Hsien-Hsien’s current film studies in mainland China from the perspective of academic history and try to clarify the identity and geopolitics behind these academic frameworks and their reflections in different historical periods Changes in cultural mentality.