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纽约威特尼（ＷＨＩＴＮＥＹ）艺术双年展，像评论家米基尔·露什所说的“几十年来，威特尼双年展一直领导着美国艺术新媒材创作的潮流”，并且也一直因此而著名。但是，２０００年的双年展却使公众的舆论沸扬了起来，一时间里纽约的大街小巷议论纷纷，批评的有，赞扬的有，不以为然而又不知所然的也有。总之，社会公众投入了极大的关注热情。这里编译的评论，可以让我们充分感受到纽约艺术学术界活脱的学术气氛。因此，在翻译过程中，我的感受一直很深。在这里，我很乐意把我的感受谈出来。以便和读者交流与对话。
WHITNEY Art Biennial of New York, as critic Mickey Rush put it: “The Witteni Biennial has been leading the tide of new American art media for decades” and It has always been famous for this reason. However, the 2000 Biennale has brought public opinion up to the public. In a time of discussion in the streets and alleys of New York City, there are criticisms, praise and disapproval but not knowing it. In short, the public has invested a great deal of enthusiasm. The commentary compiled here allows us to fully appreciate the academic atmosphere in New York’s art academy. Therefore, I feel deeply in the translation process. Here, I am happy to talk about my feelings. In order to communicate with the reader and dialogue.