存在着两种面对世界的诗歌态度:第一种是充分的自我展示和自我奉献,第二种是将这一自我奉献客体化,将自己的情感引入存在于诗人之外的某种诗歌场景。后一种客观化态度近乎嘲讽,近乎与诗中所表现对象以及诗句本身的疏离。在亚历山大·库什涅尔的早期诗作中,就常常出现对于其主题的这种淡淡的嘲讽态度。这种态度当然不像尼古拉·扎博洛茨基在《长卷》中表现得那么尖刻,但它总归存在。《玻璃瓶》《画作》《看显微镜》《跳棋》,诗人之所以选取这些题材,似乎是为了学会如何看待世界, There are two poetic attitudes towards the world: the first is full self-demonstration and self-sacrifice, the second is to objectize this self-sacrifice and introduce one’s own emotions into some poetic scene outside the poet . The latter kind of objectivity is almost ridiculed, almost alienated from the object expressed in the poem and the verse itself. In the early poems of Alexander Kushnier, this subtle taunting of the theme often occurs. This attitude, of course, is not as sharp as Nikolai Zabolotski in the “scroll”, but it always exists. “Glass” “painting” “microscope” “checkers”, the reason why poets choose these themes, it seems that in order to learn how to look at the world,