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随着社会经济的逐渐稳定与繁荣、文化艺术的日趋兴旺而得到发展,明代书坛形成了流派纷呈、名家辈出、特色明显的时代风貌,对于清代及近现代书法艺术的发展有很重要的作用。纵观明代书法艺术的风格,似乎是元人书风的延续,但稍加研读,便可知二者不同。明代书画家广泛选取魏晋六朝古帖为范本,文人书法的内质得以传续;又由于明代书画同为一家的现象较元代更加普遍,书法作品的形式从尺牍发展到悬于殿堂的大幅作品,正所谓远看气势近观笔法,书家开始追求一种形式美感,这样,明代书法在承袭前贤的基础上,有了“尚姿”的意趣,这是一种艺术欣赏形式的拓展。随着时间的推移及地域文化的区别,明人书法出现了阶段性的变化,这个演变过程中不仅出现了代表书家、代表作品,在对书法艺术不同形式的探索上也取得了显著成就。
With the gradual social and economic stability and prosperity, the increasing prosperity of culture and art and the development of the Ming Dynasty calligrapher formed a colorful scene, famous comers, with distinct characteristics of the times, for the Qing Dynasty and modern calligraphy art development is very important effect. Looking at the style of calligraphy in the Ming dynasty seems to be a continuation of the style of the calligraphers of the Yuan Dynasty. However, after a little study, we can see that the two are different. In the Ming Dynasty, the calligraphists and artists of the Ming Dynasty extensively selected the ancient posts in the Wei and Jin Dynasties and the Six Dynasties for the model, and the literati’s calligraphic endoplasmic features continued to spread. Since the phenomenon of the same calligraphy and painting of the Ming Dynasty was more common than that of the Yuan Dynasty, Works, is the so-called momentum from afar look at the brushwork, the book began to pursue a sense of form, so that the calligraphy in the Ming Dynasty inherited the basis of predecessors, with the “Shang Zi” interest, which is an appreciation of the form of art. With the passage of time and the difference of regional culture, the calligraphy of the Ming Dynasty has undergone a periodical change. In this process of evolution, not only representative book writers and representative works have appeared, but also remarkable achievements have been made in the exploration of different forms of calligraphy art.