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道家对“自然”的理解包括两个方面:一是指自然界,一是指自然状态,新时期作家对自然界和自然状态的书写受到了道家文化的影响,或者与之契合。一些作品表现出对自然界的亲近态度,它们把自然从为我之物转变为自在之物,或者将自然之物作为作品角色或主人公来着力描写;另有一些作品表现出对自然状态的崇尚态度,如肯定原始倾向,张扬素朴人性等,以上两个方面共同建构了新时期文学的自然话语。
Taoist understanding of “nature ” includes two aspects: one refers to nature, one refers to the natural state, the writer of the new period of nature and the state of nature by the influence of the Taoist culture, or with it. Some of these works show a close attitude towards nature. They transform nature from being something of me into being, or using natural objects as the role or protagonist of an artwork. Other works show an attitude toward the natural state Such as affirming the original tendency, publicity naive humanity, the above two aspects together to construct a new period of literature, the natural discourse.