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【银纽丝】是明清俗曲中出现较早的、非常重要的一支曲牌,也是蒲松龄俚曲中常用且用量较多的一支曲牌。本文以蒲松龄俚曲中的【银纽丝】为主线,通过对其与早期音乐现象中有关【银纽丝】的比较分析,以及与其后其他艺术品种中的【银纽丝】的对比并置、分析比较,得出:蒲松龄俚曲中的【银纽丝】显示出的是这支曲牌较早的一种形式,俚曲中的【银纽丝】不仅继承了早期【银纽丝】的音乐基本模式,而且结合本艺术品种的风格特点发展了这一曲调。在我国民族民间音乐的发展过程中,它还对山东及周边地区的民间音乐产生了深刻的影响,也对民族民间音乐的继承与发展,发挥了重要的作用。
【Silver Knuth】 is an early, very important song in popular songs in the Ming and Qing dynasties. It is also a song commonly used in Pu song-ling’s folk songs. This article takes Puyinling’s folk song “Silver Knuth as the main line”, compares it with “Yin Nousi” in the early music phenomenon and compares it with “Silver Knuth” in other artistic varieties Set, analysis and comparison, come to the conclusion: [Silver Knuth] in Pu Songling’s folk song shows a form earlier in this song, and [Silver Knuth] in the folk song inherits not only the early [ ] Basic pattern of music, but also with the variety of style of this art has developed this tune. In the course of the development of folk music in our country, it also exerted a profound influence on folk music in Shandong and surrounding areas, and played an important role in inheriting and developing folk music.