笔者曾经对90后持有偏见,认为大多90后的孩子只是Dota游戏和钢琴提琴都很好而已。当我应《小演奏家》杂志之约,做过一些在美音乐留学生的访谈后发现,演奏技术的优秀远不是他们的全部。他们当中仍有一批人,在执著地追求更丰富的艺术新知,具有活跃甚至激进的音乐思想,重要的是,他们也拥有对古典音乐纯净的、不染世俗的热爱。——题记在“柯蒂斯”见到钱骏平我们的采访地点是在著名的柯蒂斯校园里。在这座木制结构的建筑内,那间铺着羊毛地毯,悬挂仿古吊灯,摆放两架施坦威钢琴的大屋子,让人需要几秒钟才能和“琴房”一词联系起来。校园里不时闪出一张张 The author once held a prejudice against 90, that most of the children after 90 are just Dota games and the piano is good. When I interviewed “Little Performers” magazine and did some interviews with international students studying in the United States, I found that the excellence of playing skills is far from all of them. Among them, there are still a group of people who are persistently pursuing richer artistic innovations and have active and even radical musical ideas. What is important is that they also have pure, uninspired love for classical music. - Inscription in “Curtiss ” to see Qian Junping our interview site is in the famous Curtis campus. Inside the wooden building, the big room with wool rugs, antique chandeliers and two Steinway pianos made it take a few seconds to reach out to the word “piano room.” stand up. Occasionally flashed a note on the campus