习画者大都始于素描,却很少止于素描,为什么呢?因为素描手段简单经济,又能为许多画种铺路,当做绘画基础很合适,这是时尚。但艺术反映人的灵性,灵性这个东西倒不在于用什么手段来表现,所以素描又可算是一门艺术,它有些象水,滋养万物而位处卑下。可见将素描归做基础还是艺术的想法,是没什么意思的,只要是画,分得清的只有二种——是艺术或者非艺术,倒不看其用什么手段。手段简单有它的好,手段复杂也有它的好,你抱着素描是基础的想法,那你只能把素描画成习作,就象古代中国人只把火药当作火药,做几颗鞭炮热闹一下就完事了。素描从解决造型问题人手上升到表现思想感情,总是先匠后艺,从功法到心法,泰豆驾车,心意贯穿马志,就是这个道理。画家到了画时不觉在画,不画时不觉不画的境界,大家是也。从一个初学者到一个大艺术家,不在习画的时间 Most of the sketches begin with sketches, but seldom stop at sketches. Why? Because sketching is simple and economical and can pave the way for many kinds of paintings, it is fashionable to work as a basis for painting. However, art reflects the spirituality and spirituality of man. What does it mean is not the method used to represent it. Therefore, the sketch can be regarded as an art. It is somewhat like water, which nourishes all things and is humbled. Can be seen as a sketch based on the idea of ​​art or is no sense, as long as the painting, only two points were clear - is art or non-art, but not by what means. The simple means has its good, the complicated means also has its good, you hold the sketch is the basic idea, then you can only draw the sketch into the work, like the ancient Chinese only the gunpowder as gunpowder, make several firecrackers Just finished it. Sketch from the solution to the problem of modeling personnel rose to the performance of ideological and feelings, always the first carpenter art, from the power law to the heart, driving soy beans, mind through Ma Chi, is the truth. When the artist does not feel it when he draws the painting, he does not draw the realm when he does not draw it. Everybody is also. From a beginner to a big artist, not a painting time