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从设立专项资金鼓励创作,到做好地方戏完善保护,2015年一整年与戏曲相关的政策设计都对戏曲显示出极大的关注。但这种关注能否转化成为市场影响力和对观众的吸引力,还需下番功夫。尝试从没停止,不仅在创作层面,更延伸到舞台呈现。近期素有“当代孟小冬”之称的王珮瑜的一台讲演会不仅让老戏迷大呼过瘾,更引来一群京剧“小白”。给小戏找到更大的空间,给大戏找到更切实的落脚点,给传统故事找到能和现实对接的气质。所有心思,归根到底是拉近戏曲和观众的距离;各种“实验”和“探
From the establishment of special funds to encourage creative work to ensure the perfect protection of local operas, the policy design related to the opera throughout 2015 showed great concern to the opera. However, this concern can translate into market influence and attractiveness to the audience, but also take the trouble. Try never stopped, not only in the creative level, but also extended to the stage. Recently known as ”contemporary Meng Xiaodong “ said Wang Yanyu’s a lecture not only hooked old fans, but also attracted a group of Peking Opera ”white “. Find more space for the little show, to find a more realistic foothold in the show, to find the traditional story of the temperament and docking reality. All thoughts, in the final analysis, are to narrow the distance between the drama and the audience; various ”experiments“ and ”probes"