中国文学进入20世纪90年代以来,长期在以往意识形态文化、政治知识里孵化的主流文学(亦是主导文化)开始在全球化跨国资本、“消费乐”文化潮里变得无所适从。由于政治资本和政治符码于80年代陆续从文学本文的撤出,转而寻找经济资本的强势,文学作为意识形态的重要一环被弃之后院,形成了鲁迅笔下荒芜的无人看守的“百草 Since the 90s of 20th century, the mainstream literature (also the dominant culture) hatched in the long-term ideological and political knowledge has been losing its place in the culture of globalized transnational capital and consumer music. As political capital and political codes gradually withdraw from the literature in the 1980s, they turned to looking for the strength of economic capital. As an important part of ideology, literature was abandoned in the backyard, forming the barren and unmanned " Herbs