文学理论家埃兹拉.庞德对于主观与客观之间的实质关系的论述中常常充满着悖论。他对于文学中的“主观性”主要体现在其诗歌作品中关于“情感”的表达,但庞德好像奇怪地又做出了完全相反的主张,即坚持“客观”。这看似矛盾,实际上庞德“主观性”与“客观性”的不定性可以通过其“意象”理论得到解答。本文即为化解庞德的主/客悖论做出一些可行性尝试,试图找到庞德将主/客对立统一起来的方式。 Ezra Pound, the literary theorist, is often fraught with paradoxes in his discourse on the substantive relationship between subjectivity and objectivity. His “subjectivity ” in literature is mainly reflected in the expression of “emotion ” in his poetry works, but Pound seems to have made a completely opposite claim that he sticks to “objective ”. This may seem contradictory. In fact, the uncertainty of Pound’s “subjectivity” and “objectivity” can be answered through his “imagery” theory. This article attempts to make some feasible attempts to defuse Pound’s master / guest paradox in an attempt to find Pound’s way of unifying Lord / Averse.