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本文译自弗兰德和劳厄合著的《打开音乐之门——从若干崭新的视角观察音乐》(Schluessel zur Musik.Neue.Einblicke in die Welt dermusik,1998年美因茨版)一书的第一章,本章由劳厄执笔。 作者弗兰德(1953-,Reinhard Flender)为德国音乐学家、钢琴家、作曲家,1987年起任汉堡国际出版集团古典部主任。劳厄(1930-,Hermann Rauhe)为德国音乐学家,1978年起任汉堡音乐与表演艺术大学校长。 两位作者曾于1986年合作出版过一部同名著作(劳厄为第一作者),但副题不同,内容也有差异。本书可视为该书的修订增补本。
This article is based on the book “Opening the Door to Music - Viewing the Music from a Number of New Perspectives” by Flanders and Laue (Schluessel zur Musik. Neue. Einblicke in die Welt dermusik, Mainz, 1998) The first chapter, written by Laurie. Author Fland (1953-, Reinhard Flender) is a German musicologist, pianist, composer, since 1987, Hamburg International Publishing Group, director of the classical department. Laue (1930-, Hermann Rauhe) is a German musicologist and, since 1978, became president of the Hamburg School of Music and Performing Arts. The two authors co-authored a book of the same name in 1986 (Laue was the first author), but with subtopic differences and differences in content. This book can be regarded as the revised edition of the book.