莎士比亚的《驯悍记》是其早期重要的喜剧代表作之一,这部喜剧虽然不是莎士比亚喜剧创作的巅峰之作,但是从艺术成就上讲,《驯悍记》的问世代表着莎士比亚已经逐渐走向喜剧创作的成熟期,其中的主人公“悍妇”凯瑟丽娜起初性格骄悍,一直受到嘲笑、讽刺,然而,在彼特鲁乔的改造下,凯瑟丽娜被动地接受了彼特鲁乔的驯服,最后成为社会认可的贤良女性。本文从《驯悍记》这部喜剧的主题出发,追寻凯瑟丽娜“悍妇”形象转变的社会缘由。 Shakespeare’s Taming of the Tale is one of the earliest masterpieces of comedy. Although this comedy is not the pinnacle of Shakespeare’s comedy creation, the advent of “Taming a Scream” represents the gradual trend of Shakespeare The maturity of the comedy creation, in which the protagonist “Sister ” Catherine was initially arrogant character, has been ridiculed, irony, however, in the transformation of Pietro Riccio, Cassirena passively accepted him Trujillo’s tame, and finally become recognized by the virtuous woman. This article starts from the theme of “Taming the Fury”, and traces the social reason of the image transformation of Catherine ’s “Slammer”.