这是一门艺术,剪纸剪得成了“精”的女人并不多。裴小旗是其中之一。她的脸端方文静,让人一看就相信看到了《家》中的瑞珏;陕北质朴的山山峦峦形成了她淳朴的性格,并未磨去中国传统型女人天生的那份自重与自尊。这一双剪纸花的手,是摇摇篮的手,是在民间文化艺术土壤中挖掘“宝贝”的手,裴小旗经常向陕北当地“天下绝无仅有”的几位民间艺术大师,白凤兰、高金爱、姬兰英、库淑兰、曹秀英等人讨教,和她们共一盏油灯,练习娴熟的剪功与只有陕西剪纸才有的那一份神采。 This is an art. There are not many women who have become “fine” paper-cut scissors. Pei flag is one of them. Her face Fang Wenjing, a look I believe I saw the “home” Rui Jue; northern Shaanxi mountainous ridges formed her simple character, did not wear away the inherent weight of the traditional Chinese woman’s self-respect And self-esteem. This pair of paper-cut flowers is cradled by a hand cradling the cradle. It is the excavation of “treasure” in the soil of folk culture and the arts. Pei-qiqi often touches some local folk artists in northern Shaanxi, such as Bai Fenglan, Gao Jinai, Ji Lan Ying, Ku Shulan, Cao Xiuying and others for advice, and they have a total of a lamp, practice skillful shears and only Shaanxi paper cutting that share of a look.