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若要对曲种音乐中伴奏的规律与其如何发挥作用等有所揭示,就必须首先从对伴奏乐器的形态与其演奏形式等的探讨来着手。弦子书最典型的伴奏乐器是三弦、四弦、板和镲,其形态和演奏均有其特殊之处。三弦、板、镲一人操控——这种“什不闲”式的演奏是民间草根性意味的直接表现。三弦四弦协同演奏,点状音与线状音互助,高音区与低音区相配,性能互补却能各显其美,这为增强弦子书艺术感染力创造了条件。双档说唱使用三弦四弦伴奏是为了适应“演唱者自行伴奏”的需要,并希望丝弦之声“能与歌唱协调”。
If we want to reveal the regularity of accompaniment in music and how it works, we must start with the discussion of the form of accompaniment instruments and their performance forms. The most typical accompaniment instrument for string books is sanshinari, four strings, slab and 镲, and their shape and performance have their own special features. Sanxian, board, 镲 one-man control - this “not idle ” type of performance is a direct manifestation of folk grassroots means. Strings and symphonic playing, point-shaped sound and linear sound mutual aid, high-pitched area and bass area, performance complement each other but their beauty, which enhances the envy of art strings created the conditions. The use of three chords and four chords accompaniment accompanies the “double chord rap” in order to meet the needs of the “singer’s own accompaniment” and hope that the string voice “can coordinate with the singing.”