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一贫乏电影的一些原则(1)我喜欢“贫乏”这个词附着在“电影”这个词上面的感觉,但什么是贫乏电影,无法定义。(2)贫乏电影的含义之一是从枯竭、乏味、习以为常中生成电影;力求题材的贫乏,庸常,以使生活的面目得到更为真切、普遍的揭示。(3)以最节约的方式制作电影,从必要性出发制作电影,用贫乏的财力、人力、技术资源做出具有丰富性的电影;贫乏电影的丰富性是因为它的内容过于贫乏平庸,少有人关注,但一旦贫乏的内容被唤醒,它就会发出光亮。(4)贫乏电影是一种主动的电影实践,它尽可能少地等待现实本
Some Principles of a Poor Movie (1) I like the feeling that the word “poor” is attached to the word “movie”, but what is a poor movie and can not be defined. (2) One of the implication of poor film is to generate movies from exhaustion, tediousness and common usage; to strive for the theme of poverty and triviality so as to make life more vivid and universal. (3) Make movies in the most economical way, make movies from necessity, make rich movies with poor financial, human and technical resources; the richness of poor movies is because its contents are too mediocre and less Someone concerned, but once the poor content is awakened, it will shine. (4) Poor film is a proactive cinematic practice that waits for the reality as little as possible