文似看山不喜平。古人论诗文,崇曲忌直,讲究“波澜开圜”,“曲折多变”,反对平铺直叙,“废巧尚直”。这是很有道理的。戏曲创作又何尝不是这样。一出戏平铺直叙,死气沉沉,只能使观众生厌;相反,一出戏远山淡抹,近树浓涂,抑扬顿挫,直而不露,一波三折,有张有驰,跌宕起伏,大开大合,“天水兴波”,造成一种强烈的美的扣人心弦的意境,自然就会激起观众鉴赏的兴趣。一出戏能否吸引广大的观众,内容 Wen like to see the mountains do not like flat. The ancients on the poetry, worship Quji straight, pay attention to “waves”, “twists and turns,” opposed to the straightforward, “waste too straightforward.” This is very reasonable. Why do not opera creation? A drama straightforward, deadly, can only make the audience annoying; on the contrary, a play blew away, near the tree thick coating, cadence, straightforward, twists and turns, Zhang Youchi, ups and downs, Tianshui Xingbo ", resulting in a strong beauty of the exciting mood, it will naturally arouse the audience to appreciate the interest. A drama can attract a large audience, content