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昆剧《游街》出自沈璟《义侠记》第六折《旌勇》。在演出过程中,丑角的戏不断有所丰富、有所发展,终于在这折戏中占据了主要地位。不过,这折戏之所以具有一种异常的艺术魅力,还应归功于表演艺术家对传统的戏曲文学和舞台艺术所做的全面推陈出新。江苏省昆剧院的优秀丑角演员张寄蝶也在《游街》的推陈出新中做出了重要的贡献。扬眉吐气的武大郎对《游街》中武大郎这个人物的基调,张寄蝶是这样把握的:武大郎是善良的,又是自尊自强的。当然,演员不可能停留于这种观念的把握。在舞台上,
Kunqu Opera “Street” from Shen Jing “Yi Xia Ji” the sixth fold “Jing Yong.” In the course of the performance, the play of the harlequin continued to be enriched and developed. At last, it occupied the main position in the play. However, the reason why the play has an unusual artistic charm is also attributed to the overall innovation made by the performing artists for the traditional opera literature and the stage arts. The best actor in the Kunju Theater in Jiangsu Province, Zhang Jieshi, also made an important contribution to the renovation of the “Street”. Wu Dalang proud of the “Tour Street” Wu Dalang the tone of this figure, Zhang sent the butterfly is so grasping: Wu Dalang is good, but also self-esteem. Of course, the actor can not stay in the grasp of this idea. On stage,