在戏剧美学的创造上,表现主义和象征主义如同双水分流,各自形成了自己的美学潮流和传统。如果象征主义光大了古典悲剧诗体剧等高摹仿的传统,表现主义则发扬了阿里斯多芬和拉伯雷的民间文艺大众的传统。表现主义的几位先驱——毕希纳、斯特林堡、魏德金——这些一流的创新大师,他们以卓越的才华开辟了一个堪同象征主义对垒的美学新方向。在表现主义的美学形成过程中,现代主义的嫁接的规律又一次生效。如同 In the creation of drama aesthetics, expressionism and symbolism are like two streams of water, each forming its own aesthetic trends and traditions. If the symbolism brightens the tradition of contour imitation such as classical tragedy, the expressionism carries forward the tradition of folk literary masses of Aristophanes and Rabelais. Several pioneers of Expressionism, Bechinah, Strindberg, and Weiddin, these first-rate creative masters opened up a new direction of aesthetics in sympathy with symbolism. In the process of the formation of expressionist aesthetics, the law of grafting of modernism takes effect once again. as