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汪曾祺的创作近几年引起更多的研究者的关注,他小说的散文化特征和美学价值基本趋向共识。本文从存在主义美学的视域,考察汪曾祺小说中那群生活在底层的小人物,他们或卑微庸常,或顺从琐碎,或粗糙懒散,但无不是真实的生命存在。对贩夫匠人等小人物存在境况的倾心临摹,在汪曾祺的小说创作中占有很大的比重。本文这方面的研究有助于全面深入作家及其作品。
Wang Zengqi’s creation has drawn more and more researchers’ attention in recent years. The general characteristics of prose’s prose and aesthetic values tend to be consensus. From the perspective of existential aesthetics, this essay examines the group of small people living in the bottom in Wang Zengqi’s novels. They are either trivial, obedient, or rough, but are not real life. The tracing of the existence of tradesmen and other small people takes a large share of Wang Zengqi’s novel creation. The research in this article helps to fully understand the writer and his works.