当代书法家、篆刻家尹海龙别具慧眼,他在一向被低估的宋元篆书中发现其写意特质,在古玺布局与商周金文之间发现其衔接可能,并把这种发现融于创作,其书法、篆刻在当代中青年书家、印人中桀然特立。从唐代李阳冰之后,篆书进入了一个历史低潮。我们每翻到宋元时期的篆书史,就总是手指一掀迅速阅过的。在那之后,无论是印宗秦汉的明代文彭、何震,还 Yin Hailong, a contemporary calligrapher and seal-cutting artist, has discerning eyes. He found his freehand qualities in the Song and Yuan dynasties that have always been undervalued. He discovered the connection between the ancient seal layout and the Jin and Wen dynasties in Shang and Zhou dynasties. Its calligraphy, carving in contemporary young writers, Indian people suddenly natural. After the Tang Dynasty Li Yang Bing, the seal script entered a historic ebb. Every time we turn to the history of seal scriptures during the Song and Yuan dynasties, we always read the finger quickly. After that, both Wen-Qin and Han Dynasties of the Ming Dynasty Wen Peng, He Zhen, also