王家卫的《一代宗师》引起了两极评论。相比于他的过往作品,《一代宗师》可挑剔的地方更多,不能自圆其说的更多,但是也照例high到了很多人。不喜欢的人,看到的问题各种各样,喜欢的人,有些拼命把墨镜往家国文化传统上抬。然而事实上,王家卫从来不是凛然的义士,只是姿态妖娆的美人,他令人山欲死的,永远是审美带人的直接感受,是他鲜明旖旎的表现主义美学。夫 Wong Kar-wai’s “great master” caused bipolar commentary. Compared to his past work, “a generation of guru” can be more demanding, can not justify more, but also as usual, high to a lot of people. Do not like people, see a variety of problems, like people, some desperate to sunglasses domestic cultural tradition uplift. However, in fact, Wong Kar-wai has never been an awe-inspiring righteous person, but an enchanting beauty of beauty. He is desperate to death and always has the direct feeling of aesthetic belt and his vivid expressionist aesthetics. husband