大凡艺术批评家对一件超现实主义艺术作品进行内涵评价抑或审美解读,不外乎从作品所提供的视觉快感、作品展现的事实和艺术家的意图等出发,来证明自己的观点是否正确,但却常常忽视了作品本身的魅力。本文以油画作品《狩》和《猎》系列为例,从审美批评的另一种不同于检视和关照的角度加以解读,抛开一切审美惯例和传统枷锁,在不游离艺术作品本身的同时以理论为导读,理性地诠释艺术作品所蕴含的人文关怀,尝试建构另一种审美批评途径。 Most art critics of aesthetic surreal works on a content evaluation or aesthetic interpretation, nothing more than the visual pleasure provided by the works, the work of the facts and the intention of artists starting to prove their point of view is correct, but But often overlooked the charm of the work itself. Taking the series of oil paintings “hunting” and “hunting” as examples, this article interprets from the perspective of aesthetic criticism, which is different from the view and care, putting aside all the aesthetic conventions and traditional shackles. Without leaving the works of art itself Theory as the guide, rational interpretation of the humanistic concern contained in works of art, trying to construct another aesthetic criticism.